Essay on On the Road (2012)
On the Road (2012), directed by Walter Salles, is a film adaptation of the iconic 1957 novel by Jack Kerouac. The story follows Sal Paradise, a young writer based on Kerouac himself, as he travels across the United States with his free-spirited friend Dean Moriarty. Together with a group of fellow wanderers, they seek freedom, inspiration, and meaning in post-war America.
The film captures the spirit of the Beat Generation — a group of writers and artists who challenged traditional values and celebrated personal freedom, spontaneity, and rebellion. Garrett Hedlund delivers a powerful performance as Dean, portraying a man full of energy and contradictions. Sam Riley plays Sal with quiet introspection, while Kristen Stewart surprises audiences with her raw portrayal of Marylou, Dean’s young wife.
Visually, the movie is stunning, with breathtaking shots of the American landscape that reflect the emotional highs and lows of the characters' journey. The cinematography, along with a moody jazz soundtrack, helps transport the viewer into the atmosphere of the 1940s and 50s.
However, some critics felt the film lacked the same energy and poetic rhythm as the original novel. While the book was known for its experimental, flowing prose, the film occasionally struggles to capture that same intensity.
Overall, On the Road is a thoughtful, visually rich film that explores youth, freedom, and the desire for meaning. Though it may not fully match the literary magic of Kerouac’s work, it stands as a bold attempt to bring a cultural milestone to the screen.